support by: christian smith, konrad black, joris voorn, timo maas, brothers vibe, josh wink, michael cleis, dominik eulberg, richie hawtin, rodriguez jr., wally lopez and many more, first up and delivering his take on the wonderful >chordy< is a young producer, cut from the same mold as babicz himself. a student on sonics, valencian, maetrik. staying true to the original, he adds a little grit and gives some teeth to already weighty bassline. spooky and expansive, but brilliant. taking the same track on groovy deep house ride is none other than 8bit head honcho and systematic regular, gorge. the mannheim producer, whos 2009 remix of chelonis r. jones >pompadour< is still a huge favourite, gives chordy a killer strut. matching the growling bassline and smooth as silk synths to fantastic effect. remixing >come closer< we are delighted to welcome the always in form, kollektiv turmstrasse, who turn in a remix that may surprise some. whilst keeping things deep as ever, kt take a more twisted, down tempo path

fresh from his massive release on dj dies clear skyz label, s.p.y rocks up on traffic to drop a polished twelve that bristles with thinly veiled menace. stuttering breaks, high tension pads and bursts of static introduce out of the blue, before unleashing the distorto drums and 20.000 volt bassline, laced with echoing laser stabs, and snatches of oldskool mentasm.

merseyside producer whos hybridized sound the fader describes as mix of sparkling uk funky & 21st century garage, w/scraps of other kicky dancefloor styles like dubstep & bassline bleeding through. he started djing and producing when he was 13 years old and 2010 is sure to see him come into his own. from being picked as toddla ts one to watch for 2010 on radio 1, to being signed for an ep on sindens new imprint grizzly, to being charted by globetrotters like brodinski and being tapped to remix new young pony club and the count & sinden, everything is in place for his meteoric rise. remixes by nadastrom (dubsided), & french fries (young guns).

green could not have found a finer match. the melodic genius of ripperton is wonderfully sculpted by the uk producer, who delivers not one, but two remixes. part 1 sees radio slave taking leonor s lanugo on a deep, hypnotic workout. its warm, all encompassing bassline works brilliantly with its tribal drum line to deliver a deadly take on the original. on part 2 radio slave takes a housier direction. rock solid beats are interwoven with the original s beautiful string melody as bird calls and wild cats prowling add to the incredible suspense to create an inspiring remix.

dope piece of 80s sounding disco/ boogie with fragile melodies, blasting bassline and rolling drums by dubious with munk injecting some avantgarde disco antiques and a nice grand piano theme.

dope piece of 80s sounding disco/ boogie with fragile melodies, blasting bassline and rolling drums by dubious with munk injecting some avantgarde disco antiques and a nice grand piano theme.

nice price deal !!! with juno records hitting its tenth release we revisit yet another classic from the archives of electronic music royalty. producer, label boss, dj & remixer extraordinaire, charles webster will need no introduction to house music lovers, and its his 1998 collaboration with renowned uk vocalist shara nelson which gets a 2010 touch up. orignally out on the seminal label pagan, >sense of danger< was a real deep house anthem back in 1998, so it was imperative to leave it in good hands for remix duties. the popular peoples front, the disco house supergroup made up of anonymous musical activists are just that. ppf breath new life into >sense of danger<, with nelsons vocal being matched by an effervescent dubby groove. an alternate dangerous dub gives the track a darker but equally melodic feel with an abrasive bassline central to the groove.

dope piece of 80’s sounding disco/ boogie with fragile melodies, blasting bassline and rolling drums by dubious with munk injecting some avantgarde disco antiques and a nice grand piano theme.

earwax is very proud to present this huge 12 inch from >purple trinity< producer gemmy, guaranteed to cause serious sonic pressure on a dancefloor near you! >maroon chant< is possibly one of gemmys biggest tunes yet, a carefully crafted dancefloor monster brim with catchy purple melodic synths and heavy weight bass. the intro leads in with a looped tribal chant as the pattern is sucked into rolling snapping percussion before the squelching, ever-evolving bassline drops. the track build and flows effortlessly maintaining high energy levels throughout. big tune. flip then for >last 3 digits< ? the title being a reference to pirate radio shows where the host refers to callers by the last 3 digits of their phone number. >let me have 1 caller for the rewind<. heavy hitting rave stabs punch out the catchy melody here before the track switches up into a grimey beat and even grimier bassline. quality rave music.
dj support from: joker, roska, pinch, mary anne hobbs, guido, ginz, reso, baobinga, appleblim, peverelist, rsd, plastician dusk & blackdown, and many more..

limited edition picture disc. definitely designed to intimidate those weak of will, scare tactics will also dominate any dancefloor you care to drop it on. bruising beats and a twistedly belligerent bassline combine to bully the crap out of your ears in c4cs typically ruthlessly efficient style. >born dead< sounding like the score for some sort of dystopian future where machines rule man, born dead is a foreboding, offbeat, synthetic and sinister tune. samples swirl around your head while the bassline rises from the metallic mire to grab at your feet. future filth indeed.
dj support: andy c, friction, hype, bailey, goldie, gridlok, fierce, concord dawn, dieselboy, prolix, ed rush, bad company plus many more?

after the well received debut ep on his own grey area ltd, tobia coffa is back with a 4 tracker focused on deepness and melody, ranging from shining summer vibes on the a-side to emotionally struggling melodies on the b-side. >dancing on the keyboard< combines a funky melody and a rolling groove on a big bassline, perfect for summer sets. >chords n brass<, as the name implies, develop its groove around those two main elements, filled with tight drums, making it a good choice for many context. >the strange family< is the moodier and more introspective track, with a dark bassline and a deep pressure. >margherita< is the most emotional track, filled with love and hope, characterised by blazing melodies which will leave the listener torn between smile and tears

bringing the virtuosity into contemporary dancemusic, two protagonists found themselves as being the new dreamteam of the scene: thomas melchior and bruno pronsato. and it works perfectly- melchior, the perfectionist who always sets new standards regarding minimal house music and pronsato, the scientist who discovers the unheard and the unbelievable. both living in berlin, melchior & pronsato connected their world of sound and built one of the loveliest records in the whole universe of reduced deepness. on >puerto rican girls< melchior & pronsato play the most wonderful rhodes-line ever created connected with a never-to-stop-rhythm that could last for ages. it features the voice of ninca leece, who just released a super sweet record on bruno pronsatos imprint thesongsays. pure love! on the b-side >we make it right< brings together what belongs together- a fluffy bassline with that kind groove which makes the sun shining brighter.

the third release from one records, comes from one half of the backbone to the project, subb-an, one the uks finest young talents who delivers an anthemic package with >soul skool<. >soul skool< is unapologetically gripping, opening with moody atmospheric keys before settling into an iconic bassline, and teasing with the vintage sounds of early house vocals and rasping brass instruments. this is the distinctly vivacious sound of subb-an, matched with an equally alluring shaun reeves remix.

technopassion presents a single from george le nagelaux that is a musical stroke of genius: >das dunkel spricht< (the darkness speaks), a lovely composition of dreamily-dark synthesizer sounds which meld perfectly harmonic with a contemplative vocal. the austrian master remains true to the techno spirit and combines the ensemble with a irresistible, hard as bone bassline and a solid pumping groove. the original mix is the perfect tune for turning the dancefloor into a boiling pot during the prime time. the dub version is slower, but not less driving and will enjoy great popularity among the devotees of smooth sounds.

jack this is a typically powerful and funky slice of peak-time techno from tom hades. the main hook comes from a big descending siren that is worked in around the groove and succession of drops and builds.
loco & jam (1605, mb elektronics) are selected for remix duties fresh from winning best new artist at the 2010 irish dance music awards. their mix takes the groove deeper but still retains the incendiary edge.
barnes bachelor rounds off the package with its linear, driving groove and gentle melodic shifts that lift up the darker, brooding undertones of the bassline. a subtle but effective track for the longer sets / early hours.
supported by: acquaviva, mauro picotto, paco osuna, eddie halliwell, cari lekebusch, yousef, joseph capriati and many more!

duijn & douglas return to nowar for their second release >quiche l hik<, this time teaming up with vocalist berenice, and anonym on remix duty on the flipside. >quiche l hik< is a solid dancefloor work-out that will get you hooked from the very first beat. the rolling bassline simply sucks you into a hipshaking groove, funked up by tight oldksool tush-moving hihats. the whole thing builds up to berenices warm and sexy vocals and a most funky chord progression that will glue you to the dancefloor. this cut is a full body and soul work-out! on the flipside detroits anonym pushes it into a more throbbing affair. raw, stripped to its sexiest parts and with slightly warped chords, the remix is a sweaty and sultry groover, mentally gripping, simply good ol fashioned house! this release perfectly reflects what nowar is about, deep and raw house music.

mowars 6th release is delivered by label boss franco cangelli, 2 solid deep techno cuts accompanied by an exquisite mlz treatment. >paper cut< is a smooth and hypnotizing dubbed out techno track for the deeper dancefloor moments. stripped down and most efficient, paper cuts intoxicating dreamy pad sucks you in from the start and gets you hooked on the dubby chords and an addictive bassline. simplicity and solid deepness!
>when they come< on the other hand is a darker affair with ominous pads and fierce kickdrums backed up by deep basses and funky schizoid sounds. dark detroitish techno for brainwashed dancefloors. mlz (half of pendle coven), turns paper cut into a darker cut. dark acidic basslines, a pinch of robert hood mixed with the deep dubby side of the original. very captivating until the very end of the track. another strong mowar cut!

much hyped previously unreleased remix of blackpocket (steve spacek) track from producer #1 album.
d-bridge keep things in-house giving his brothers production a tough stripped down refix. simple yet effective with a brooding bassline, glistening pads and spiky synths combine with brutal drums to build a deep, ghostly backdrop for spaceks fragile vocals to glide over. a favourite in sets for the autonomic crew as well as a regular feature on their highly-lauded podcast series. limited to 500 copies!

after the great mojuba g.o.d.2 by chez damier it is time for some oracy action, its been a while since we heard from the creator of such classics as family day and mind dance. but now after doing a very fine remix for balance alliance in the meantime, he is back in full effect. the a-side bass mood is featuring a disco break styled beat combined with a sick acid bassline à a special track for that special moment on the floor! the b-side with funk advice is cooling things a little down, but in a way only a mojuba record can do it - some serious deepness is waiting for you!

mabaan soul are back on metroline limited with their third release for the label. the talented italian duo have been causing a stir in the house and techno underground world with their 2009 release on metroline being charted by chicago legend dj sneak in his best of the year chart! on top of that, another house legend satoshi tomiie after hearing their debut new orleans ep on metroline limited, promptly asked the guys to release on his label saw recordings! the opening track joseph is jacking disco groove with an insistent bass hook and infectious lead synth. summer is nearly here! frankfurt, is a love song for the original robert johnson crew - the good people of frankfurt who really know what they’re dancing to. its an intense 5am grind that brings driving european warehouse techno together with the deep soulful grooves of detroit house. inxec and matt tolfrey pump up the midrange on their remix. they pick out a nice groove, and build on it with bright and airy percussion while maintaining the original disorientating shuffle and boomin low end. funky is definitely back. that rolling bassline keeps you locked in, and those brutal mpc-style percussion loops are would make marley marl proud.

a made up sound bringing house for the emotionally unstable on 003. drunkenly swaggering along, the punchy discofied-bass-clap-whatever ‘alarm’ is owned by a pair of synth stabs that got out of bed with the wrong foot first. after an almost clowny breakdown, moody pads soon make clear this track ain’t funny at all... ‘crisis’ on the b-side is all about restraint. thick house-not-house beats and a thumping acid bassline move on and on while a vacuum cleaner blues and hazy will-o-the-wisp-like strings slowly creep under the skin. those who like it nice and shiny better think twice... killer twelve!

dj support from loco dice, robert dietz, matt tolfrey, dubfire, deetron, paul ritch, anja schneider, slam, steve lawler, mr g, alex niggemann, x-press 2, brothers vibe, tini, martin landsky, nick curly,.. in four short years tsuba has become one of the uks most respected underground house labels with releases from some of the worlds most desirable producers. one of the key artists in the tsuba family is samuel thalmann aka okain. okain has had an impressive few years releasing for tsuba, quartz and jetaime and whilst not in the studio has kept up an intense touring schedule taking in dates at some of the worlds leading clubs. his latest release kicks off with title track >sleepwalking<, a superb slice of bumpin groove laden house with subtle vocal hooks and a spacey hypnotic vibe. next up is >scream<, a track which once again journeys into the realms of rock solid house, featuring a rollin bassline, loose jackin percussion and refined melodic elements.

first on decks.de !! redjowak is a minimalistic masterpiece which comes with a floor-friendly bassline, accompanied by discreetly placed sound effects. the berlin based duo savours their musical ability by being rich in contrast, classy and with authentic understatement. a superb track for spring-fever nights! incl. canson remix. melodie in e-moll appears warm and hearty due to its mystical groove and the rich use of bell- and piano sound-effects. intelligent shifting of rhythmic patterns keep the tension flowing while maintaining this tracks dreaminess. incl. diffus remix

first on decks.de !! founded in 2009, time has come for the 1st release, >plusminus1<. whereas berlin dj sid wrote a track for the a-side, both, rohrer & siegel from potsdam, have their own track on the b-side. b2 >deepdownover<, created by alexander siegel, is a piece of art that goes back and forth, unifies high and low. his track can be said to cause emotional ups and downs. if the year had four musical seasons, >deepdownover< could be one of them. b1 >dr. pepper<, wolfgang rohrers track, a creative tool for the dancefloor, is deep and funky and has a bassline to tear down walls. with its groove, >plusminus 1< on the a-side is in the position to set fairly everything in motion. reduced to the essential

vincent kwok, dj mfrs partner in the project new mondo, provides two reworks: the dark and deep dancefloor bliss of >do you remember<, featuring the spoken vocals of tony green, and head to the sky, featuring the emotive vocals of winston and a fantastic, dubby breakdown. charles webster re-tools come to me, featuring renowned vocalist indra jones, into a sublime, dreamy house music masterpiece. last, but hardly least, dj mfr reworks his own get on me, featuring the reappearance of indra jones. a classic house-style bassline and staccato keys will surely drive this version out of the speakers of club systems worldwide. transport recordings revisits dj mfrs acclaimed rome departure album with a series of exceptional deep and soulful house mixes.

tel avivs yoav b is back! a welcome return for this maverick producer on delsin records. after some years of silence we are proud to present new material by dj yoav b. if you dont know any of his singles, then you might know him from his underground cult hit >energize<, which got licensed to mix compilations by ame and carl craig. this is fifth full length single, again in his own freestyle sound. >higher love< sounds like house done by a passionate liquor store, with its lazy house beats and dramatic synthlines. >love dub< is a more freestyle beat jam, whereas >soul surrender< has a gritty moving bassline. welcome back!

the italian dynamic duo is back on the trail with part 2 of their set of soul house grooves. souldynamic teamed up with lt ‘the voice’ brown and deliver with ‘body music’ a massive ‘feelgood’ release with lt in top form and a very funky beat and bassline..

rick preston with this new 12 from the worship label. >the magnet< is a chunky, percussive houser for the peaktime crowds, with dubby stabs and vocals mixing it up with a steady bassline, and great drum patterns, while swirling effects top the whole track off nicely. on the reverse, its heavy dubs all the way on a thick, syrupy helping of dub-house, packed with ragga goodness.

worship recordings with another solid ep release, this time featuring cuts from chris udoh and gary beck. udoh is up first with >hear da muzik<, a driving house gem with a definite dubby flavor, as delays are left to run over solid drum patterns, strong chords, and a rumbling bassline. on the reverse, gary beck keeps the dubby house theme rolling with >stick to the reggae<, which has more of a skank to its rhythm, as dubby delays are again left to exploit stellar percussion, stabbing horns, and a wandering bassline.

worship keep their string of great releases going with this newie from seinan. >glow< is a bouncing dubby houser of the first order, with a killer bassline underpinning great drums, stabbing horns and guitar riff, and the ever-present reggae vibe on this superb dub excursion. on the reverse, >dubberware< is another bubbling dubby house gem, this time with a bit more emphasis on the house than the dub, with superb percussion, shuffling beats, and dubby guitar licks all combining atop another dubbed out bassline.

trinity all-stars, aka hipp-e and solomonic sound (rob paine & zack eberz) with this cracking newie on worship. as with a bunch of the recent worship releases, >dem a come< is a dubby deep house number, opening with skipping beats and spacey effects before a wicked sub bass comes into play alongside stabbing synths for a sublime basic channel-esque groove. on the flip, the theme continues with >wind up your bass<, again leading in with hi-hats before a ragga rhythm establishes itself, joined swiftly by another superb dubbed out bassline and echoy beats on a track that puts even maurizio to shame! if you like your dubby gear, this release is essential!

we finally did it: we proudly present to you our very first vinyl by none other than mr. sean oneil aka someone else, the mastermind behind foundsound records! known for his awesome releases on various labels and for filling dancefloors all over the world, he delivers a cool club track called >zebra talk<. driven by a heavy, minimal beat, this track offers freaky vocal lines, spooky breaks and enough tension to keep the crowd moving. we also provide you with some great remixes: the first one by miskate is a more deconstructed approach to the original track, featuring loads of percussion and neatly arranged breaks, surrounded by massive reverb. the second remix is by the argentinian producer omar salgado. a groovy new bassline and full of deep variation, this moves the track into a different direction.

>scrub the tub< with its crowd baiting piano riff and floor shattering bassline is a certain smash. as is >beat the dirt< on the flip with its disco flavoured, funk guitar mastery.

the fresh, new label tonschleife presents the first release. the single >we are material< from hardware hits the dancefloor like a bomb! big electro and the lovely voice à just great. are you material?

allow us to introduce creatures of habit. the brainchild of dj/producer brenden wesley, the boston outfit s membership boasts a wild band of guest players, with musical virtuosos and analogue gear whores alike. relentless jam sessions between wesley and close pals chas bronz & robbie roland yielded lustre , their debut offering on the esteemed solardisco label. an aural innuendo anchored by a hypnotic, low-slung bassline, the song deftly trades in warm, flirtatious instrumentation and studio wizardry. through his akult party, brenden s not only honed his chops as a dj, he s befriended a whole host of the new disco cognoscenti. amongst them are brooklyn s own nick chacona, who recently released his debut long player on moodmusic to much acclaim, and dfa darlings runaway, who have been reeled in for remix duties. both artists head straight into house territory with decidedly different results. chacona shoots for the stars with his cosmic take on the original, adding just the right amount of sleaze and putting in one of his finest reworks in recent memory. runaway deepen things out with aplomb, dusting off the rhodes to drive their quirky mix home. connecting the dots between boston and brooklyn discotheques, this ep marks quite the auspicious debut for creatures of habit.

second release on the new ibadan offshoot, public service recordings. >life story< gets the ball rolling with some bumping disco-fueled peaktime house, with a strong female vocal dominating atop a bed of funky bass, stellar synth lines, and solid house beats. yohan squares >love of life< takes the mood a little deeper with some lush late night house, blending sweeping textured synth lines behind a deep bassline groove and shuffling late night house beats. on the reverse, julian jonahs >jealousy of lies< is a detroit-flavored late night houser, with textured synth lines, a stellar spoken male vocal, and laidback beats and bassline all combining perfectly. last up is >rey-d<, a deep late night track that utilizes some fairly bumping beats behind a minimal bassline and rich chords for some minimal floor grooves.

after a long 5 year hiatus from recording original material, stacey pullen returns with a future smash hit >alive<. the track features futuristic vocoder vocals from the man himself announcing his return to producing timeless music in a microwave lightning speed action pack world. the (original mix) takes you on a rhythmic adventure that keeps you wondering where hes gonna take you next, then the bassline comes in like a tsunami. stacey is experimenting with loads of new ways to capture your senses threw aural pleasure. with so many tracks released nowadays sometimes we forget about the melody which is important. alives techno mindframe comes to you full of different aspect to capture staceys musical intellect.

exploits >beatbull< is an excellent modern tech-house/techno crossover stuff with catchy vocals, filtered piano chords and tribal groove. on the other hand >no harm< represents the dark side of techno music with its rumbling bassline and crazy siren sounds. last but not least is the epic remix of >no harm< served by one of most respected uk techno producers perc (perctrax, ovum, clr). he rebuilds the original into unique underground techno madness - big one!
support from umek, pig & dan, marco bailey, alan fitzpatrick, gary beck, joseph capriati and many others!

>all i need< kicks off with female vocal chat on housey beats, in the middle you hear more of heavenly vocal – slow minimal filter house stylee. side b, >got to see her< presents party minimal disco style, marvin gaye-ish vocal line comes in middle with killer electric piano code. >hurt me< starts with killer funky bassline, groovy percussion & clap. theo parish esque flavour makes this track stands out when you play just before peak time on the dancefloor! simply winner.

the french label pilbus records has decided to strike hard with this new ep, offering us great tracks by nathan hell, who took part of the label adventure a few months ago. >heloise< is a really important track for nathan who expressed his feelings to produce a heavy but groovy bassline gimmick around which the rhythm revolves.

after a couple of succesful releases on her label vinyl did it and the limited series they are changing it, dia comes out with the next single on this limited one sided series (300), twelveinchesoflove. moody pads and a walking bassline simmer under sharp hi hats and playful cymbals as serene chords steep the vibe in the ambiance of a hot smoke filled room. all of this is brought to a boil as urgent vocals and whoops get slapped around by chicago uprock hand claps. jazz grooves drift back in on top, rounding out this versatile house stormer aimed squarely at those who dont need to be told twice that its time to dance

deep down from the heart of motorcity stuttgart comes a fresh new label from the founder of the well known techno imprints neue heimat & mutter rec. - daniel benavente and oliver hauf - coworker of the vinyl store humpty records stuttgart. the born baby is called salon rosi - conform with the events were celebrating in club rocker33 since years. the first release is starting off with newcomer konstantin sibold who brings us his neuland e.p. - containing two slices of pure technosoul with very different characters. the a-side >apart< is a mixture of traditional detroit techno combined with modern tech-house rhythms which builts and builts, ending in an climax of pure euphorism. b-side >gestade< is a well funky and deep explosion with a subtle throbbing acid-bassline vibe, well-flavoured with pieces of bitter sweet harmonies.

label boss fluen delivers the latest ep from barcelona label vinyl did it, and takes off with the title track, guayaga. warped marbles burble along shiny dance floors giving way to flashbulb lights as classic house percussion washes the room. soon we are sweating to a workout of layered synths and vocal hooks as the energy builds. a clean cut house vibe sure to sit well in a properly constructed set. the edit by youandme gets dirtier with some pop-locking stuttered uprock snare hits, head bobbing bass, and dramatic fuzzed chord stabs. vocals get snipped up diced with in background chatter as percolating random percussion and dubbed out drums fan the flames of this eyes-closed groove. ripped reversals give way to a main line that will have the drink stirrers throwing their hands up, with a final warm wash of smiling chords perfect for bringing a set to a close, or taking it to the next level! on the b side, give me mores spastic clatter forms the backbeat for this classy house slab, with sleek dubbed out organ chords descending into the depths only to resurface under a vocal call to action. a short break and an oldschool snare lets the house heads know its about to get serious. the hook of yeah! drops over a bouncing bassline, soliciting whistles and whoops from the crowd, with hi-hats and added organinc percussion fills jacking up the oldschool vibes

italojohnson greets the dance floor with his first vinyl release embodying three functional tracks appropriate for any party mood.
the a-sides systematic drumming maliciously rumbles through the prime time floor as the mellow waves begin to take form and surge into a hysterical tsunami of beats. an emotional sunrise paves the tracks finale.
a similar functional sound continues on b1 and soon after, exposes itself as a percussive chicago house track as the 707, 727 and abyssal bassline protest against loungy house.
the dubbier interpretation of the italojohnson concept can be found in the final track on b2. the 808-thunderstorms and melancholic pads have lived through more than one summer, yet have only triumphed through charm and optimism.

1994 one of the best piano loops ever used in a house record with funky bassline and great earthy spoken vocals to create one of the all time great house track 2005 reissue!!

minority boss hector moralez teams up with life long friend oscar miranda for a belting 3 track ep on minority. >last of an era< has a killer bassline and a hypnotic vocal that will keep the floor moving all night. >for realz< is on the deeper tip and the boys uses spacey keys & trippy vocals to devastating effect. last but not least is >about time<. this sounds like derrick carter style beats meets a mood ii swing style bass line, nuff said. boom!

night slugs are extremely proud to announce a new addition to their roster in the form of the one and only lil silva! the young mastermind behind potent uk funky anthems such as seasons, funky flex, different and the funky pulse, lil silvas house-meets-grime style has become iconic of the ukf scene. his tracks are cornerstones for djs like marcus nasty, who describes them as having the unique ability to consistently bun down raves. with that in mind lil silvas addition to the night slugs family makes perfect sense. his contribution to their limited vinyl-only white label series is a taster of what can be expected from his official ep for ns, dropping later this year. in the mean time feast yourself on the ultra-upfront a million, featuring carnival synths, glass breaks and snare destruction in the typical silva fashion. on the flip, silva pays tribute to house pioneer kenny dope in the form of the ultra-stripped down bassline-driven banger no hooks. bruckout time!

a dark bassline and classic synth stabs keep things moving along, with the occasional surprise of some classic 909 claps and shakers within. this tracks are crafted specifically for that moment during the party when the crowds minds and ears have combined with the djs master plan, and everyone is locked firmly in place ready for the ride. its a powerful heads down dance floor bomb that simply works.

a new debut on be as one, this time is a new talent hailing from the uk, nyra lands on abers imprint 2 slices of phat sounding house music. in the perfect house revival mood that electronic music is experiencing now, a side carries lindans groove, a tune built around a basic rhythm and chopped vox but with a phat bassline that you just need to wait for it to kicks in and blast the floor.on the b side, nyra had a different approach. this time we have a driving tech house groove, topped with another vocal snippet and funky rhythm, a great tool for many dj sets!